![]() ![]() The other main theme Harrison examines is how southern gospel, from its cultural origins during Reconstruction to the contemporary Bill Gaither and his Homecoming Friends phenomenon, has drawn upon nostalgia for an idyllic past and hope for a redemptive future to provide solace in the present. Ruth Daniel, Bill and Gloria Gaither perform at a Gaither Homecoming Friends concert, Fort Worth, Texas, April 4, 2009. First, how can a homosexual nonbeliever like Harrison, who as a youth was a "Southern Baptist sissy," who dreamed of becoming a southern gospel star until he came out and suffered the consequences for doing so by a repressive religious culture, still find ecstatic "glory-rolling joy" in southern gospel music? Second, what is it about southern gospel that attracts "queer" fans and supports heterodox interpretations of a seemingly orthodox musical culture? As Harrison says, southern gospel would not exist without "queers and their contributions as fans, songwriters, performers, producers, players, and industry executives." How can this square with what Harrison describes as "the most culturally fundamentalist sacred music in evangelicalism" (140)? These issues and questions make up the emotional and analytical heart of Harrison's fascinating book, even though he addresses them in depth only in his final chapter: "Southern Gospel in the Key of Queer." His book begins with two critical questions: one personal, the other more expansive. In his provocative and deeply personal book, Then Sings My Soul, Douglas Harrison wants to show that a single-minded focus on southern gospel's rigidly conservative façade obscures the music's hidden transgressive-and transcendent-qualities. Talley has since become persona non grata in the southern gospel music world despite his admission of "sin" and his willingness to do penance through "reparative" therapy (138–139). In 2003, gospel singer Kirk Talley was "outed" when the FBI arrested a man who attempted to blackmail Talley with suggestive photographs he shared on a gay web site. Guided by theological fundamentalism and social conservatism, southern gospel's performers and fans tend to take a dim view of homosexuality. White southern gospel music seems like a strange source of pleasure for a "gay, secular humanist academic," as Douglas Harrison identifies himself (17). ![]() Matthews reviews Then Sings My Soul: The Culture of Southern Gospel Music (Urbana: University of Illinois Press, 2012) by Douglas Harrison. BLUEGRASS: BEPPE GAMBETTA (A GUITARTOWNCT CONCERT) HOLIDAY ROCK ‘N’ ROLL SHOW: DUST HAT, BRONSON ROCK CATERWAUL’S CADRE OF CLAIRVOYANT CLAPTRAPS JAZZ/AVANT-GARDE: KLEPTOKRAT WORLD MUSIC/FOLK: DR. BLUEGRASS: TWISTED PINE (A GUITARTOWNCT CONCERT) ![]() ![]() 7.ART SONG/SINGER-SONGWRITERS: OLIVE TIGER (SOLO), AN HISTORIC Primitive quartet songbook free#GUITARTOWNCT FREE SUNDAY AFTERNOON BLUEGRASS JAM FILM SCREENING: “SON OF SAUL” (WITH TALK BY PROF. BVFCC ANNIVERSARY GALA AT THE BALLROOM AT THE OUTER SPACE: 5 IN THE CHAMBER, OLIVE TIGER, NU HAVEN KAPELYE, THE TET OFFENSIVE 11, 7-10 PM (at ORDINARY tavern in New Haven): ART OPENING: “CREEPSHOW”-A BENEFIT FOR BEST VIDEO FILM & CULTURAL CENTER with art by AUDREY NEFORES & NICK HURWITZ-GOODMAN MODERN ROCK: NALANI & SARINA, CHASER EIGHT NAKED (PRESENTED BY AIM PRODUCTIONS) SOLO MODERN PRIMITIVE GUITAR: SHAWN PERSINGER UPCOMING EVENTS (Music events start at 8 PM unless otherwise noted screenings start at 7 PM unless otherwise noted): Together with the Webbers, he has played venues throughout southern Connecticut. Rich has performed at Best Video on several occasions, each time bringing his neo-traditional interpretation to a different part of the Standards repertoire. The Rich Moran Quartet features Rich on vocals, accompanied by pianist Judy Webber, saxophonist Jeff Webber and drummer Noah Golden. Rich will also share informative commentary on the music being played and its place in film history. Primitive quartet songbook movie#Join Rich Moran, host of WMNR’s “One Great Song” program, and his quartet as they celebrate the BVFCC’s second anniversary with a concert of standards selected from the extensive Best Video classic movie collection. The show starts at 8 PM and the cover is $7. 9, to play Great American Songbook tunes from classic movies. The Rich Moran Quartet returns Thursday, Nov. ![]()
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